He ends with a forceful argument against the use of history in identity politics and vice versa, the immense value of which separation his own book serves to illustrate.
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Very Good : A book that does not look new and has been read but is in excellent condition. Shipped to over one million happy customers. From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture.
In this insightful book, writtenwith dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated theCavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms.
After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their AfricanAmerican counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present.
The Southern self-imageunderwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial,identity.
Ebook Away Down South A History Of Southern Identity
As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well. One of the most informative books ever written about the southern story. A fascinating, urbane contribution to southern historiography, Away Down South offers a model of synthetic history reaching its imaginative potential.
James Cobb shows, with characteristic wit and acuity, how a distinctive regional identity from the time of Jamestown to the Iraq war depended not just on how white and black southerners thought of themselves, but also on what othersthought of Dixie. With C. Vann Woodward's death, Cobb is perhaps our best historical interpreter of the South and this may be his best book, better even than his fine book about the Mississippi Delta Not only has he done his homework, he hasreflected deeply and the result is mature as in good wine , mellow, stylish and tasty.
Yoder Jr. Cobb for insight. For that matter, if you want to understand the innerworkings of the contemporary United States, Away Down South would be a goodplace to start.
Hopefully, he has a sequel planned. Track record. The higher the game the better!
Redefining Southern Culture
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